Harking from over the hills and far away (Argentina to be precise), Pandelindio's shamanistic blend of meditational drone and invigorating Indian and Middle-Eastern currents provides a gateway to the Susurrus like no other. Employing a flute set up unique to the group, Pandelindio have a sound distinct from others, with a softer, more introspective edge than contemporary drone bands. Wishing to find out more, we caught up with the band to discover the roots, composition, and future of this most distinctive South American act. - Interview conducted by Daniel Sharman.
Q.) Who is in the band and who plays what?
A.) At the
moment we’re playing live as a trio.
I play
Bansuri, N’vike, Hulusi, Pythagorean harp and Bamboo clarinet. Juan Manuel Claro plays Dilruba, Duduk and
Bawu and Corina Inveninato plays Tambura, Shruti box, Didgeridoo, Tibetan bowl
and Citarina.
We’ve been
playing kind of the same set with those instruments this year, but there are
many other friends who participate in the recordings and have participated in previous gigs of
Pandelindio.
Q.) It's great to interview a South American
band, can you tell us more about where you are located?
A.) We're from
Buenos Aires, Argentina and we live in Quilmes city. Quilmes is at the shore of the "Rio de la
plata”, known as the widest river of the world. But in my
opinion the most important thing in the city are friends and family. Besides
that and sadly to say it's not much more interesting.
Q.) Pandelindio is an interesting name. What
does it mean exactly?
A.) Pan del
indio (Indian Bread) it’s an edible mushroom from the Patagonia. Its scientific
name is Cyttaria harioti and it grows on trees, it’s orange and spongy like a
tangerine, I ate a few and it doesn't
have much taste. The native tribes Yámanas o Mapuches they used to eat it fresh
or elaborate an alcoholic beverage with it.
Q.) Who influences you as a group musically?
A.) Musically
the album “Accordion and Voice” from Pauline Oliveros was a great influence at
the time I discovered it and “Ayahuasca” from Pelt was another one.
Also sharing
time and playing with my friends like Golondrina Alfa (http://golondrinaalfa.bandcamp.com/) and O+yn (https://omasin.bandcamp.com/)
gave me the shape of how to approach the improvisation.
Then, on a conceptual level of experimental music the documentary of the band
“Reynols” Influenced me a lot. I believe it’s great, essential. (http://www.cinemargentino.com/films/914988456-buscando-a-reynols
- English subs)
Q.) Your music focuses strongly on drone and
drawn-out repetition. What attracts you to this compositional style?
A.) The hypnotic
state that creates. To me the repetition it is fundamental to develop the
melodic composition and sometimes the drone variations are enjoyable enough.
Q.) Are any of your songs ever pre-written or
do you produce them on the spot as you play?
A.) I personally
like to set up the scale or tonic in what we’re going to play and what
instruments. The song or composition comes out always from an improvisation and
then we develop that melody or form.
Q.) What part does Nature play in the creation
of your music?
A.) A big one.
Some of my
best experiences were listening to
birds, crickets and toads singing altogether like a psychedelic trance
orchestra or the bass drone of the water going down the creek bouncing on the
walls. The natural environment always inspires me to listen deeply.
I enjoy a
lot to do field recordings and use it in songs.
Q.) I
noticed you described your music as meditational. Would you say music can ever
help humans transcend the self?
A.) I don’t know
if our music fits in the traditional genre of meditational music but it’s kind
of my meditation. It helps me transmute emotions or quiet the mind but to
transcend the self or take awareness I believe it takes more than music.
Shamanic plants for instance, are a great ally of music and they work more
intensive and deeply to take consciousness on the "self". But
everyone has their own path so I couldn't say for sure.
Q.) Your music is incredibly rich in texture,
can you tell us more about the instruments you use to create this?
A.) I'm a big
fan of ethnic instruments, mostly from hindustani classical music. I don't have
a musical heritage or try to represent any culture so I like to explore the
combination of instruments from different places. For example, sometimes we mix
the Mbira (African) with a drone-based Tambura (India) or we play the N'vike,
which is a bowed string instrument from the indigenous "Toba" people,
with the didgeridoo (aboriginal trumpet from Australia) and the Indian's violin
Dilruba. Whatever sounds good to us, we try it.
Q.) You're an instrument maker yourself. Can
you tell about what that is like to do as a career, and how it impacts your
music?
A.) I started to
make instruments for myself. I made Didgeridoos for my friends and a couple of
Bansuri (traverse flute from India) in pvc and later in bamboo. Luckily I found
a passion in making instruments and I keep doing it since then. It's a great
pleasure to make an instrument for someone, who's probably a musician or a
music therapist. I'm very happy and grateful to make a living of it. I play
mostly the instruments I made so it has a big impact on my music.
Q.) What is next for the band? Any upcoming
albums or live shows?
A.) We have a
new album coming out soon named "Mount Analogue". We recorded it with
Pablo Picco and he also work very hard on the mix. And the amazing
collaborations of musicians that I admire like Ulrich Rois from Bird People,
the guitarist Mariano Rodriguez and my partner Corina Inveninato that was sick
with fever when she recorded the piano tune. I'm very happy and excited and
probably released it on tape next month. We're
playing live this month on saturday 24th with Dario Dubois Duo (https://darioduboisduo.bandcamp.com/) an amazing drone-kraut band from Buenos Aires.
And on november 6th we're playing next to Diente de Madera, one of my
favourites band right now (https://dientedemadera.bandcamp.com/releases)
and Nicolas Melmann too, I believe. He (http://melmann.bandcamp.com/) is a great
minimal-ambient composer.
Do You Even Psychedelic? would like to thank Pandelindio for taking the time to complete this interview!
Make sure to like the band's Facebook page, and thus stay up to date, here.
Make sure to check out the band's work here.
By Daniel Luke Sharman