Friday, 26 September 2014

The Night Collectors Interview with Connor Gallagher and Jeff Lownsbury!!

All hail the sinister groove, and the propagators of the reinstatement of unbridled, dust-induced human savagery. Or something like that. Prepare to delve into the minds of one of Arizona's best new, up-and-coming desert psychedelia acts, The Night Collectors. Currently, the band's discography boasts several extended instrumental jams which, if indicative of what is to come, make me incredibly pleased to offer an insight into the development of this fantastic rock quintet. - Interview conducted by Daniel Sharman.

Dan: You guys are based in Tuscon, Arizona. How many of you are in the band, and how did you meet?

Jeff: There are five of us and room for one (for now) honorary member--we're really all huge jazz fans and prefer to keep our group open to unique sessions. We've all been friends for years and have played together extensively. I met Connor Gallaher (guitar/ vocals) in 2008 outside of the venue formerly known as Plush. We were both watching and listening to a muffled Silver Jews set. I had snuck in and gotten kicked out, he was just calmly watching from the street. I met Casey Golden (drums) through the skateboarding scene and we've been buddies for years now. I met Adan Martinez-Kee through some painterly friends when I first moved to Tucson seven years ago. He's really into cinematography and we became great friends gradually as we found out we had a lot of mutual friends. I met John Bullock through some skateboarding friends in 2009, he was playing with Connor and some of our friends in a group called Via Entrada that was going through a break-up (this band would later become Dream Sick) at the time. Connor, Casey, and Adan play with me in another group called Secret Highway Secrets... but that's another story...

Dan: Your sound is psychedelic, rock, blues, jazz, avant garde, ect. What are some of your influences? 

Connor: A big influence is Les Rallizes Denudes (Hadaka no Rallizes), also where we got our name. Jeff and I actually started the band as a Les Rallizes Denudes cover band originally.

Dan: I hear a lot of John Cipollina and Michio Kurihara in your guitar playing, I'm guessing those guys influence you in one way or another?

Connor: Yeah, totally! Ray Russell is another big one. He played with Bill Fay, and he also did a bunch of jazz and free jazz stuff. Loren Connors is also a huge influence for me (Ray Russel - Bill Fay - )

Dan: Those two fellas are quite a bit more avant garde than Cipollina and Kurihara. The Night Collectors boast some lovely gear rigs, would you say you get your influence for tone from those guys?

Connor: I guess, a lot from those guys, and then just experimenting with sound. Playing pedal steel has definitely influenced my guitar playing and vice versa.

Dan: I'm not familiar with pedal steel playing myself, how does that inspire you with your guitar work?

Connor: I guess mostly in terms of feel. Also there's the volume pedal too. I listen to a lot steel guitar music which influences my steel playing as well as my guitar playing.

Dan: Sweet, will we hear any pedal steel on any later Night Collectors recordings?

Connor: I hope so at some point.

Dan: This is a bit of a stranger question, but how do you feel about special effects being used in psychedelic music? I mean you guys play damn well with your effects, but some guys just let the effects do the work for them.

Connor: Ahh... Yes, I don't know I guess it can be cool sometimes, but yeah there's definitely things that can get overused.  A lot of bands today seem to just drench everything in delay and reverb thus making their music "psychedelic". I think effects are great as a way of adding colour, though. 

Dan: Your latest record, Voice of the cicada, gives the impression that your instrumentation is somewhat planned, but also fluid and free-moving. How do you normally go about writing a Night Collectors song?

Connor: We definitely work a lot off of improvisation. Our track Maybe Tomorrow was a completely improvised piece that just happened at the beginning of a prectice. With a lot of our stuff we kind of start out with a basic idea and move from that. We also have some songs now that have a more traditional structure. We definitely find a lot ideas from just jamming.

Dan: The guitar playing on the recordings is a big part of the sound, what guitars have you been playing through?

Connor: My main guitar is a Gibson SG3 with a Bigsby. I also play a Fender Stratocaster XII occasionally. Jeff plays a telecaster and John and Adan play an Epiphone SG bass. 

Dan: How about amps, and effects? 

Connor: We only play through AIMS amplifiers, they were a company out Phoenix, Arizona that only lasted a few years in the early 70's. I play through the Eclipsor which is 4x12 stack. Jeff uses the Dual Twelve which is a 2x12 combo and the bass goes through the Vocalsonic IV which is a PA that has two 4x10 towers. All of them have the same tube setup and are around 120watts. They're basically high powered twin reverbs. Sometimes Jeff plays through a Fender Super Reverb if the Dual Twelve AIMS is on the fritz. My pedalboard mostly consists of lots of FUZZ! I use a rotating cast of different fuzz pedals. Pedals that are always on my board are a Wattson FY-6 which is a Shin-ei SuperFuzz remake, a Sarno Earth Drive, Zvex Super Duper, a Vox wah wah, Fulltone Deja Vibe and a Space echo pedal.

Dan: Any comments on additional instruments, playing or otherwise?

Connor: Some of the saxophone playing on Voice of the Cicada seems to have roots in traditional free-jazz. Mostly just guitars and the sax for now, but maybe more in the future. As I said, I also play pedal steel guitar and definitely want to incorporate that in at some point. Yes, there is definitely roots in free jazz.

Dan:How were all these instruments recorded (by that meaning how was the song recorded in general)?

Connor: All the recordings that are up on our Bandcamp were recorded live on my phone and then mixed in Garageband or Logic.

Dan: A question about the latest recording itself (correct at time of interview). What was the importance of the cicada to the track itself?

Connor: In the Sonoran Desert, for months every year there are cicadas that hang out in the mesquite trees and buzz incessantly. The polyphony of thousands of cicadas buzzing at the same time can be likened to mind-melting drone music. The cicada, like a lot of insects, is a sort of pan-cultural symbol; they live on almost every continent and are a natural constant reminder of the power of vibrations.

Dan: Additionally, living in an arid climate such as Arizona, how would say the desert atmosphere shapes your, and other bands, distinct sound?

Connor: I think it definitely has a big effect. Being here in the summer is rough. The heat will definitely take a number on you. With that I think a lot of bands from here have a certain hallucinatory aspect to their sound.

Dan: What's next for the night collectors?

Connor: I'm not sure right now, we're kind in a state of reconfiguration. Two of the guys are really busy with school, but we have a couple shows coming up so hopefully we'll be able to work on some new stuff. We have some recordings from the beginning of the summer that we need to mix and finish.  We also want to record more because we've changed a little bit since then. We also want to tour as soon as possible!

Do You Even Psychedelic? would like to thank Connor for taking the time to complete this interview. 

Make sure to check out the band's music here, all on free download. 

Also make sure to like the band's Facebook page here, to stay up to date.